guitarworld.com

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01.
“The cleaning lady came the next morning and everyone was on the floor. Mick Jagger had his head up inside the bass drum”: The incredible life and times of Hubert Sumlin, one of the blues' greatest guitarists
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
02.
“I gave Eddie Van Halen the parts, and the next time I saw the guitar he had used a spray can to paint it white with black stripes”: How Charvel spawned a custom shop revolution – and became the premier guitar maker in the age of shredders
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
03.
“The thought process is, which notes should sting, which notes should moan, and how can I effectively express emotion”: From B.B. King to Eric Clapton and Otis Rush, the blues is the core element of Joe Bonamassa's playing
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
04.
“Randy said, ‘Maybe if you tried it in this key…’ He had the patience because he was a guitar teacher. He wouldn’t intimidate me. Because I’m quite easily intimidated”: Ozzy Osbourne on his special writing dynamic with Randy Rhoads
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
05.
“He had a kind of caveman instinct”: Was David Bowie a good guitar player? Adrian Belew, Peter Frampton and more weigh in
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
06.
A year on from the tragic passing of the great Ozzy Osbourne, we dive into the secrets behind Randy Rhoads’ guitar tone on the iconic Crazy Train – and lift the lid on how to nail the sound on a budget
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
07.
“I still can’t believe that he’s not here with us. There will never be another Ozzy”: Tony Iommi shares Ozzy Osbourne tribute on the first anniversary of his death
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
08.
“Rik told me, ‘Don’t hold back. Do yourthing. I don’t want people to see adiluted Phil X, so be you.’ He’s right. I’ll beme”: Phil X on taking to the stage with Canadian rock heroes Triumph– and how he’s switching up his Bon Jovi rig for the occasion
guitarworld.com · /feeds.xml
▲ 0 · Jul 22
09.
“Those Dookie mods pay dividends – this is the sound in every Green Day fan's head”: Marshall Billie Joe Armstrong Signature 1959BJA review
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
10.
"It is not the widest selection of sounds, but what it does do is almost universally brilliant": Darkglass Anagram Limited Edition Guitar Essentials review
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
11.
“It’s like if you found out Harry Potter’s scar wasn’t from battling Voldemort but done under anesthetic on Harley Street”: The case for and against guitar relicing
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
12.
“I was just sick of the white blues rock thing. The whole mentality seemed stupid”: Why The Edge was always destined to become a different kind of guitar hero
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
13.
“After the second or third song, people get over the shock of seeing Johnny Depp up there with a guitar. And it’s legit”: Joe Perry on what it’s like being in a band with one of the world’s biggest movie stars
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
14.
“Frets are necessary, like a baby walker that a small child uses to learn to walk. But after a certain point they can become restrictive”:How a Greek orthodox priest went viral by turning church hymns into fretless eight-string metal ragers
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
15.
“Gibson would have been aware of the popularity of Fender vibratos and maybe considered Bigsbys to be too expensive or too closely associated with Gretsch. Either way, the company devised its own”: What this Golden Era ’63 SG tells us about Gibson design
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
16.
“Second song in, the amps blew up. You can hear Jagger apologizing to the crowd, ‘We’re trying to get it together up here. Maybe we’ll do a couple of acoustic ones’”: How a revolutionary amp nearly derailed the Rolling Stones’ 1969 US tour
guitarworld.com · /feeds.xml
▲ 0 · Jul 21
17.
“I asked David, ‘Any suggestions?’ He said, ‘Think Ritchie Blackmore.’ I didn’t expect that”: When David Bowie asked Robert Fripp to play like a Deep Purple legend
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
18.
Martin caves to player demand and revives its smallest guitar body shape – but it’s not tuned like your regular acoustic
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
19.
“His impact will live on for generations”: Wayne Charvel, legendary luthier who built guitars for Eddie Van Halen and gave rise to the Superstrat, dies aged 85
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
20.
“We told their manager we were open to making them a guitar. Two weeks later they were touring our factory”: The making of Angine de Poitrine’s new Godin double-neck – and why it’s not a signature model (yet)
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
21.
"There’s something about the pure honesty of a tube amp that can’t be topped”: 5 reasons I think digital modelers still can’t win the gear war
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
22.
“She was such a force. She made so many feel so seen”: L7 bassist Jennifer Finch, who changed the game on and off the stage, has died aged 59
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
23.
“Ihad to make sure he had all the tones he needed – the intro to Ain’t Talkin’ ’Bout Love is like taking a flint and stone to make a spark”: How a glam-metal guitarist built Joe Satriani an amp that captured Eddie Van Halen’s tone
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
24.
“I heard this car come roaring up… Jeff’s coming out and he’s holding this guitar. He said, ‘Here, this is yours for getting me in the Yardbirds’”: The story of the Fender Telecaster that unites Jeff Beck and Jimmy Page
guitarworld.com · /feeds.xml
▲ 0 · Jul 20
25.
“Those records made me think the guitar could be as good as jazz. Up until then, the electric guitar was a stupid instrument to me”: The songs that made Tom Verlaine take the guitar seriously
guitarworld.com · /feeds.xml
▲ 0 · Jul 19
26.
“Jeff’s like, ‘That’s the most expensive guitar in this building.’ I was like, ‘Get it away from me’”: Jeff Tweedy opened his guitar vault for this cult indie artist – and it put him on edge
guitarworld.com · /feeds.xml
▲ 0 · Jul 19
27.
“Back then, he didn't know anything about electric guitar… It was like, ‘Don't worry Bob, I'll adjust the amp for you, it sounds great, don't worry’”: Robbie Robertson on Bob Dylan's rocky electric transition
guitarworld.com · /feeds.xml
▲ 0 · Jul 19
28.
"It gives the Custom Shop ‘54 pickups in my own Strat a run for their money": Fender Vintera III Late '50s Stratocaster review
guitarworld.com · /feeds.xml
▲ 0 · Jul 19
29.
Two essential G chord shapes: when to use each finger position and why
guitarworld.com · /feeds.xml
▲ 0 · Jul 19
30.
“The only way for me to play it was to sit in a chair. I had to explain that to the audience. It was quite embarrassing”: The guitar solo Joe Satriani wished he never wrote
guitarworld.com · /feeds.xml
▲ 0 · Jul 18

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